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Best of 2018?

31 Dec

There’s quite a fashion these days of choosing your best 9 images (sometimes less) at the end of the year. It’s a way of summing up, I suppose. I thought I’d give that a try; these images are not family images (for which I use my little digital camera), but more general images, taken with my film cameras (about which more, later). I think I can lay claim to at least some level of artistic intent, if not of any great artistic ability. It’s noticeable to me that there is no particular theme, or genre, or style to these. That’s something I perhaps need to reflect on in 2019.

1) The Beast from the East

We were in Edinburgh in March when the Beast from the East struck. The weather was pretty dire, but on one day there was a break in the weather and I did manage to get out into Holyrood Park and take a few images. I really like this one for its simplicity…

Grass in snow-drift

Pentax LX, Vivitar 35-70 2.8-3.5 (definitely my most-used lens this year), Fuji Superia 400.

2) St Anthony’s Chapel

Taken only a few days earlier (same camera, lens and film), this image of St Anthony’s Chapel (part way up the hill in Holyrood Park) in the afternoon sun also appeals greatly. This is the first time I’ve managed to make an image of this chapel that seemed to work.

St Anthony's Chapel, Holyrood Park

3) Switzerland

We had a week’s walking holiday at Abelboden in the Bernese Oberland, Switzerland in the first week of July. I took several films, but I think this one is a favourite. It’s difficult to concentrate on an image when in a group out walking. I managed to keep out in front on this walk towards the Enstligen Falls (just visible in the gap between the trees), and saw and took this image in a matter of seconds.

Day 6 - walk to Enstligen Pentax

Pentax LX and Vivitar 35-70 again, this time the film was Kodak Portra 400.

4) Wool on wire

A very different image here, spotted while out walking, generally looking for a “close up or macro” shot. This was taken with the Pentax LX, Vivitar 35-70, and this time Kodak Portra 160 film.

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5) Morning sun rays over Glen Coe

Some members of the Film Photography group I’m part of spent a week at Onich just beyond the mouth of Glen Coe. Sadly, the weather was dire, and it rained heavily for 5 and a half of the days we were there. On the morning of the good day, I went down to the beach nearby, and got this image of crepuscular rays from the morning sun shining out of Glen Coe. I just wish I’d managed to a bit better foreground! Pentax LX and Vivitar again, but this time with Agfa Vista 400 film (said to be re-badged Fuji Superia 400, and my favourite day to day film).

Soon after sunrise, Onich, looking into the Glencoe valley

6) Loch Etive in the rain

Moving on to black and white images now, this one was also taken on that Glen Coe trip. We made the drive to Loch Etive on a rainy day, and this time I took a Pentax MX loaded with Kodak Tri-X (which has to be my favourite black and white film). The Vivitar zoom had swapped onto the MX for this journey. Some other folk made the trip the very next day, which was the good day, and that vestigial water cascade has gone, together with the atmospheric cloud.

Reflected waterfall, Loch Etive on a rainy day. Pentax MX, Vivitar 35-70, FP4

7) Tigh-na-Bruaich

This old setted street in Abbeyhill Edinburgh starts under this railway bridge, and emerges onto Holyrood Park. Taken with the Pentax MX (not sure which lens, but the Vivitar would be likely) and this time Fuji Acros 100 film. I rarely use this film as its expensive, and now those bastards at Fujifilm have stopped selling it. Not used here, but it has the most amazing reciprocity characteristics of any current film, in low light!

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8 and 9) Coventry Transport Museum

These two images were taken on different days in the Coventry Transport Museum. You can’t take a tripod in there, but I did manage to get a tripod foot for my monopod, which seems to have worked. Both Pentax MX. The first is on Tri-X, I think taken with a Pentax-M 35/2 lens, it can otherwise speak for itself.

Wheel, Coventry Transport Museum

And finally this is Thrust SSC, the fastest land vehicle ever to drive over the face of the earth, breaking the sound barrier as it did so. This time the Pentax-M 24/2.8 lens, on Ilford Delta 100 film.

Thrust SSC, the fastest land vehicle ever, Coventry Transport Museum. Chris R

So, there you have it. An eclectic collection, for sure, but it should give some idea of my photographic interests.

PS I don’t like the pink line round the images, and don’t know how to get rid of it. I’d be happy if it were black. Please leave a comment if you know how to achieve that!

 

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Change of direction?

31 Dec

I’m pretty sure no-one’s really following this blog these days, but if they were, they would have noticed that posts have been pretty thin on the ground in the last few years. I set the blog up to continue the practice of blogging (which I had really enjoyed in my time at the DCC), to help clear my thoughts, and specifically to help get commentary as Brian Lavoie and I developed the Economic Sustainability Reference Model, as part of a consultancy project.

Not long after that completed, I retired for a second time, and for various reasons rather gave up on all social media. To replace the focus (hah!) on work from the past 45 or so years, I decided to concentrate on photography. In the process, I explored various photography forums, and was staggered at how appalling the level of discussion was, descending rapidly into un-checked name calling and abuse (I’m thinking of you, DP Review Forums!). Eventually I discovered the UK-based Talk Photography, which in comparison was well moderated and civilised; a little later I came across the Film & Conventional sub-forum on TP, where I have posted and interacted amongst a community of like-minded individuals, many of whom have become friends.

This all contributed to neglecting this blog. I do feel a definite lack, though. I have been contemplating starting a new blog related to photography, but instead I’ve decided to try posting more photography-related articles on this blog.

You might also have noticed that I rashly promised “stories” from my earlier life on here. The first of these was going to be the 4-week trip I took with two friends in an ancient car between first and second year at Uni. We went over to Belgium, up the Rhine valley, through Austria to Italy (surviving floods on the Italian side), then down through Italy to Rome and eventually Sorrento. On the way back, we went through Switzerland and drove up through France. Total cost to me, £50!

Initial work on that story went reasonably well, and I made contact with on of the friends I had travelled with (first contact in about 50 years!). It turns out he was still friends with the 3rd guy, who was however suffering from fairly late stage Alzheimer’s. We did discuss the trip a bit, and I was amazed at how much our recollections differed. But I found it hard to turn it from a rather dry sequence (here, then there, then on to there) into something with more coherence. Not helped by having no photographs from the journey; initially I thought I didn’t have a camera at that time, but since I later found it (as recorded in an earlier article), I guess the photographs are simply lost. And so it foundered.

We’ll see if this works any better.

Electronic Libraries Programme notebooks

26 Sep

From 1995 to 2000 I was the Programme Director of the UK Electronic Libraries Programme (eLib). This was a significant funding programme of well over 70 projects, paving the way for today’s digital library infrastructure. At the end of my time, paper and digital files were removed and assessed for archiving; I don’t think they were actually ingested to an archive, but for many years JISC paid for storage of these items. I am not aware of their current state (if I find out I will add to this post, or write a follow-up post).

Anyway, it was a hugely enjoyable time, and I think had significant impact. At the time, I used to take notes of meetings and sketch out ideas in a series of notebooks. I still have about 30 A4 notebooks covering that period, and I am under pressure to get rid of them. “No-one cares about that stuff”, says my wife… and she is probably right. So it is likely that in the near future they will be ditched. However, if anyone thinks they might form a useful part of the historical record of that Programme, please let me know in the next couple of weeks. They may well contain confidential material, so would need to be managed properly. It would be useful if they were stored somewhere that might have an interest in eLib and subsequent digital developments, particularly in the UK.

Ancient, grotty Dacora Digna camera

28 Jul

I’ve been working on the first of my little stories, which mostly means just trying to check facts etc. In the first draft I mentioned that there were no photos to include, because I didn’t have a camera at the time. Now I find out that the second part of that was not true, although I still haven’t found any images from the camera.

My father died late last century; he was always a keen photographer, and I knew he had taken many 6*9 black and white photos wherever he and my mother went (and a few colour slides as well, another story). I remembered him having a folding Zeiss camera, and asked my sister (who still has most of the contents of my parents’ house) if she could find it. She gave me two cameras: one folding Zeiss Ikon, although square 6*6 format rather than 6*9, and one rather grotty, low budget Dacora Digna that also shot 6*6 photos on 120 film.

I assume the older Zeiss got lost or stolen, or perhaps broke, and was replaced by the smaller one. But I was very puzzled by the low budget camera. I couldn’t think what my father had been doing with it; it didn’t seem like his sort of thing at all. Anyway, I didn’t much like the look of it, and got it down from the shelf recently to clean up a bit before getting rid of it. Doing so, I noticed my father’s initial and surname scratched on the back. That’s odd, I thought. I checked the Zeiss Ikon, which I knew to be his, no name scratched there. The name was also inked into the inside of the Dacora’s leather case. Then it dawned on me… we share the same initial, it wasn’t my father’s name but mine. I had been on a couple of adventure holidays in the Norfolk Broads as a teenager, and I vaguely remember some unsatisfactory photos from there, which have vanished but I assumed to have been taken with a Box Brownie or something like that. But I think now that this was my camera, bought for one of those holidays and kept by my parents after I abandoned it for the giddy heights of the Werra 1 I got for my 21st birthday.

So, this wasn’t just any crappy old Dacora Digna, it was in fact MY old rubbish Dacora Digna, from my early teenage years. Oh, the camera was made in 1959 and I was off to Uni in 1964, so my guess is this camera is likely older than almost all of my potential readers (if any).

Anyway, this discovery inspired me to shoot a roll of Ilford FP4+ through it. So here’s a brief review…

TLDR… don’t bother with one of these! To be fair, this example is pretty much the base model, and has sat in a converted cowshed for most of the last 20 years.

Things would probably have gone better if I’d put a spot of oil on the bearings of the wind-on knob! I’ve nearly worn the skin off my fingers winding the roll through, and I had to open the back after the last shot before the backing paper was fully wound in. It would turn a little, then jam up. Little red window in the back to check how far you’ve wound on of course, how I hate those.

The view finder is tiny, and I don’t expect it to be very accurate. Zone focus is pretty easy to forget about; at least one shot is going to be in completely the wrong zone. Two apertures, f/11 and… f/7.7! Why not f/8, I wonder? This rather hints at someone with a false sense of accuracy and maybe not too much photographic knowledge, designing this camera. I used a red filter held against the lens on some shots to give an extra stop or so… but it’s a bit rubbish having to use hand-held external filters to control exposure. And I hate having to use an external meter.

As far as I can see, the leaf shutter isn’t released by the shutter button, it’s fired by it… I think the button travel must compress a spring and then trip the shutter. A second or so later the shutter resets somehow (not quite sure how, but I can hear it happening, and before that happens you can’t fire the shutter again). The good and bad consequence of this is that you can take multiple exposures very easily. In fact, the first exposure I made was at least a triple exposure, as I wasn’t sure the shutter had fired (it is very quiet). The second shot, I forgot to change the focus from 5 feet. Another shot was a deliberate double exposure that just didn’t work. One shot missing because I overshot the number in the red window. But a few were better than expected.

Dacora 1Dacora 2Dacora 3

A bit of vignetting, and maybe a little bit soft, but the lens is better than I had expected. The last one had a red filter held in front of the lens. Altogether I’m surprisingly pleased! That doesn’t mean I want to use it again, though…

So, it appears I did have a camera to take on my road trip, and I assume I probably did take it. Maybe one day I will find the prints or negatives from it.

This does underline one the developing themes from these stories, though: remembering things from 50 years ago is hard!

 

Stories of life…

28 Jun

Eddie Izzard was on the One Show today. Apparently someone has written a biography of him, and he has now written an autobiography. Meanwhile his proud Dad has also written his own autobiography, sold out in its first print run. Eddie clearly loved this, and spoke to the audience encouraging those of us who are older to write some of our own stories. Our children won’t be able to ask us when we’re gone. My father did this, voluminously; I’ve only seen these books for an hour or two, but found the incidental story of my own arrival in the world (beside his own story of receiving his posting to West Africa that same day), fascinating*.

No-one would print my story, such as it is, and maybe no-one will read it. But I guess this is where I should put whatever I think interesting. I doubt this will be in any sensible order, if anything emerges at all!

Some of the things that might be interesting to write about…

  • Four-week trip through Europe in an old car with two friends, when I was 19
  • A week in Moscow helping promote ICL computers
  • Four months working in Sofia, in communist Bulgaria, converting applications software, with side trips to Rila, Thessaloniki, Athens and Mykonos
  • My early fascination with cheap sports cars (but then again, maybe not)
  • The two-year contract to Adelaide that turned into 20 years (even the journey there was a massive adventure)
  • Trips to New Zealand, Tasmania, Northern Territory, Queensland, and the mid-north of South Australia
  • Marriage and growing a family… yes, we all do it, but in our own way, and as I suggested above, people are interested in where they fit in
  • Returning to the UK. Probably not much about my very interesting job as there is already plenty of evidence of that
  • The family I grew up in and still belong to
  • … and maybe not many others are interested, but I would find it interesting to write about the role of photography, then and now.

I don’t know, might be fun! Almost certainly boring for everyone else, but never mind…

* I once considered transcribing my father’s memoirs/diaries in a blog, but that was before I’d seen the scale of the volumes. It does cover a period from the 1920s through the second world war and on; I’m not quite sure what the latest coverage was. He was an Army engineer who worked in India, Egypt, Palestine (as it then was), West Africa, Northern Ireland and England…

The Misjudgements of Theresa May

6 Jun

It’s nearly 4 years since I last put anything on this blog. I haven’t used the blog for anything political before, but these are worrying times and I’m trying to get my head straight, as I’ve not yet made up my mind how to vote. But Mrs May seems to have managed a truly spectacular number of misjudgements over the past few years!

When Home Secretary

I’ve a feeling there were many more blunders and few successes, but these are the two most obvious right now. First was the cuts to police numbers, and in the current context most telling, the cuts to armed police. This was compounded by her speech to the Police Federation: “So please – for your sake and for the thousands of police officers who work so hard every day – this crying wolf has to stop.”

Second, during her time at the Home Office, she failed to get policies and practices in place to get immigration under control, to the “tens of thousands” promised by the Tories. If she had managed this, who knows perhaps she would have reduced the Leave vote.

She was also a Remain supporter nominally, but I only saw one weak speech in favour of Remain by her.

After the Referendum

Once she became PM, one of her first acts was to appoint Boris Johnson as Foreign Secretary. This really felt like a joke, a bad one: put the most notorious, un-disciplined blabbermouth in charge of the most sensitive relationships we have with foreign governments.

And despite his woeful performance, she re-appointed Jeremy Hunt as Health Secretary, and failed to sack him as he carried on making things worse.

Then despite being a Remain supporter, she flip-flopped to become a supporter of hard Brexit, without bringing the rest of us along with her. No explanation of the process by which they decided that was the appropriate way forward. It appears she doesn’t consult, not with us, nor with Parliament!

Along with hard Brexit came the idea of a cosy trade deal with the US. How was that likely to happen, with the President-elect wanting to change the terms of all deals in America’s favour?

In pursuit of this, off she trotted to Washington after his inauguration. I can forgive her the ghastly hand-holding experience- it’s become obvious that P45 is a notorious hand-grabber- but I can’t forgive the extraordinary sucking up to this dangerous man in inviting him, not for a normal visit, but to a State Visit, something never accorded to any previous President so early in their term. I can see that un-inviting him could be difficult, but let’s hope she manages NOT to achieve this visit; diary clashes might be her last resort!

Then we had the whole Article 50 issue. Proclaiming that in a parliamentary democracy there was no need to consult Parliament was extraordinary. She might have saved the day by recognising the problem, but she compounded by going the whole 9 yards… and losing. And she still doesn’t want Parliament to have any meaningful role. This is the most important negotiation of our lifetimes and she doesn’t want Parliament to be involved at all!

Following that, we had the Juncker visit; hard to tell what went on, but it seems like she engaged in the sort of hard-line posturing that had been happening publicly. She’s attempting to win the negotiation by making enemies of the 27 (or 28 if you count the Commission) people she’s to negotiate with!

And then, she lets Hammond forget the Tory Manifesto and propose raising National Insurance… prompting another U-turn.

Calling the election

Having promised many times that an election was unnecessary and would be divisive, she suddenly U-turns again and announces a snap election. The reasons she gave were transparently specious: every key vote had been won handsomely in the Commons, but she seemed to be worried that Her Majesty’s Loyal Opposition was doing its job. It wasn’t clear how she thought an election would fix this… a huge majority would empower her own Remainers, and a smaller majority would leave things as they are except she’d be weakened!

Calling an election to take place days before the Brexit negotiations were due to start was also a misjudgement, taking her Government’s focus away from preparations to Party matters.

It appears she thought that Corbyn couldn’t win over the electorate, and she might get a better majority now than in 2020 after Brexit had happened and the potentially disastrous terms were clear. It looks like she also wanted to get some of Cameron’s policies off the manifesto, so she could have another go at raising tax and NI. So then we had the major misjudgement of the Social Care funding issue. And after partly back-tracking she doubled down by claiming “nothing has changed, nothing has changed”.

Then there’s the focus of the campaign exclusively on her supposed “strong, stable leadership”. It seen became abundantly clear that she offered anything but that.

And how could she think it was a good idea, being such a “strong and stable leader”, not to turn up for the leadership debates. OK, they are risky, but she’s our current and proposed PM, we should be able to see her in action. It’s another thing that’s made her look weak.

That cringeworthy performance on the One Show sofa with her poor husband was also disastrous. All that stuff about boy’s jobs and girl’s jobs, and then that awful story about the woman who got into politics because of Mrs May’s shoes. I mean, please!

Overall

I might find the misjudgements above evidence of a fallible person I could relate to, except that overall she seems to want to appear as Robo-politician rather than human being. Just answer the damn questions for once, please!

You might guess from that, that I’m unlikely to vote Tory, and you might be right. My local Tory candidate had a 58% majority last time; his lead over the second-placed candidate was significantly greater than the number of registered voters who didn’t bother to vote, so I’m guessing he won’t care too much about what I do. But I care and would like to make the right choice!

An inadequate thankyou for UKOLN

1 Aug

I’ve been struggling to find a way to mark the passing of UKOLN, or at least UKOLN as we knew it (I’m not sure whether the remaining rump is still called UKOLN; the website has not been updated with much if any information about the changes that occurred on 1 August, as of this writing). I enjoyed the tweet-sized memories yesterday under the #foreverukoln hashtag. The trouble is, any proper marking of UKOLN needs more than a tweet, more than a post, more even than a book. And any less proper marking risks leaving out people who should be thanked.

But, I can’t just leave it unmarked. So you have to accept that this is just some of the things I’ve appreciated from UKOLN, and names just some of the many people from UKOLN who have helped and supported me. If you’re left out, please blame my memory and not any ill-intent, but also note this doesn’t attempt to be comprehensive.

So here’s the first thing. I’ve found in my store of ancient documents the text of the draft brochure for the eLib Programme, written in 1995 or 1996 (some of you will remember its strange square format and over-busy blue logo). Right at the bottom it says:

“The eLib web pages are maintained by UKOLN and can be found at

http://ukoln.bath.ac.uk/elib

Now (currently at least, if you click on that link it will still work, redirecting you to http://www.ukoln.ac.uk/services/elib/. There have been multiple changes to the UKOLN website over the years, and they have always maintained the working links. I don’t know most of the people who did this (though Andy Powell and Paul Walk both had something to do with it), but my heartfelt thanks to them. Those readers who work anywhere near Library management or Library systems teams: PLEASE demand that prior URIs continue to work, when getting your websites updated!

The first phase of the eLib programme had around 60 projects, many of them 3 year projects. As we moved towards the second and third phases, the numbers of projects dropped, and it was clear that the UK’s digital library movement was losing many people with hard-won experience in this new world. (In fact, we were mainly losing them to the academic Libraries, so it was not necessarily a Bad Thing.) I remember trying to persuade JISC that we needed a few organisations with greater continuity, so we wouldn’t always have new project staff trying to learn everything from the ground up. Whether they listened or not, over the years UKOLN provided much of that continuity.

Another backroom group has also been hugely important to me. Over the 15 years I was working with them, UKOLN staff organised countless workshops and conferences for eLib, for JISC and for the DCC. These staff were a little better publicly known, as they staffed the welcome desks and communicated personally with many delegates. They were always professional, courteous, charming, and beyond helpful. I don’t remember all the names; I thank them all, but remember Hazel Gott from earlier andNatasha Bishop and Bridget Robinson in more recent times.

A smaller group with much higher visibility would be the Directors of UKOLN. Lorcan Dempsey was an inspired appointment as Director, and his thoughtful analyses did much to establish UKOLN as a force to be reckoned with. I’d never met anyone who read authors like Manuel Castells for fun. I was a simple-minded, naïve engineer, and being in 4-way conversations with Lorcan, Dan Greenstein of the AHDS, and John Kelleher of the Tavistock Institute, larded with long words and concepts from Social Science and Library Science, sometimes made my brain hurt! But it was always stimulating.

When Lorcan moved on, the role was taken by Liz Lyon, whom I had first met as project coordinator of the PATRON project at the University of Surrey. A very different person, she continued the tradition of thoughtful analyses, and promoted UKOLN and later the DCC tirelessly with her hectic globetrotting presentations. She was always a great supporter of and contributor to the DCC, and I have a lot to thank her for.

One of the interesting aspects of UKOLN was the idea of a “focus” person. Brian Kelly made a huge impact as UK Web Focus until just yesterday, and though our paths didn’t cross that often, I always enjoyed a chat over a pint somewhere with Brian. Paul Miller, if I remember right, was Interoperability Focus (something to do with Z39.50?), before moving on to become yet another high-flying industry guru and consultant!

That reminds me that one of my favourite eLib projects was MODELS (MOving to Distributed Environments for Library Services, we were big on acronyms!), which was project managed by Rosemary Russell, comprising a series of around 11 workshops. The second MODELS workshop was also the second Dublin Core workshop, so you can see it was at the heart of things. Sadly at the next workshop I coined the neologism “clumps” for groups of distributed catalogues, and nobody stopped me! We chased around a Z39.50 rabbit hole for a few years, which was a shame, but probably a necessary trial. Later workshops looked at ideas like the Distributed National Electronic Resource, information architectures, integrated environments for learning and teaching, hybrid environments, rights management and terminologies. And the last workshop was in 2000! Always huge fun, the workshops were often chaired by Richard Heseltine from Hull, who had a great knack for summarising where we’d got to (and who I think was involved directly in UKOLN oversight in some way).

Rachel Heery also joined UKOLN to work on an eLib project, ROADS, looking at resource discovery. She had a huge impact on UKOLN and on many different areas of digital libraries before illness led to her retirement in 2007 and sadly her death in 2009. The UKOLN tribute to her is moving.

UKOLN did most of the groundwork on eLib PR in the early days, and John Kirriemuir was taken on as Information Officer. I particularly remember that he refused to use the first publicity mugshot I sent; he told me over the phone that when it opened on his PC someone in the office screamed, and they decided it would frighten small children! I think John was responsible for most of the still-working eLib website (set up in 1995, nota bene Jeff Rothenberg!).

Ariadne has become strongly identified with UKOLN, but was originally suggested by John MacColl, then at Abertay, Dundee and now St Andrews, and jointly proposed by John and Lorcan as a print/electronic parallel publication. John Kirriemuir worked on the electronic version in the early days, I believe, later followed by Philip Hunter and Richard Waller, both of whom also worked on IJDC (as also did Bridget Robinson).  Ariadne is a major success; I am sure there are many more who worked on making her so, and my thanks and congratulations to all of them.

Most recently I interacted with UKOLN mostly in terms of the DCC. As well as Liz and those working on IJDC, Alex Ball, Michael Day, Manjula Patel and Maureen Pennock made major contributions, and wrote many useful DCC papers.

Last but by no means least, we tend to forget to thank the office staff behind the scenes. I don’t remember most names, my sincere apologies, but you were always so helpful to me and to others, you definitely deserve my thanks.

… and to so many more UKOLN staff over the years, some of whom I should have remembered and acknowledged, and some of whom I didn’t really know: thanks to you from all of us!